Johannes Vermeer Award 2011 to Dutch Photographer Erwin Olaf
The Dutch Secretary of State for Culture, Halbe Zijlstra, awarded photographer Erwin Olaf the 2011 Johannes Vermeer Prize. Erwin Olaf was nominated for this prize because of the high quality of his entire oeuvre. It is the third time the Johannes Vermeer Award has been won by a Dutch artist.
In the eighties Olaf gained rcognition as a photographer with his series Squares and Chessmen. For Chessmen Olaf received the prize for European Photography.
Later, in the nineties, Olaf produced several other series such as Fashion Victims and Royal Blood. His early work can be perceived as bold and provocative, with nudes and bondage clothing. However, in his later work such as Hope and Grief, the vulnerability and loneliness of the human being takes the overhand.
Alongside his private work, he also worked on commercial contracts including Levi's, Microsoft and Nokia. Recently he portrayed Dutch Princess Máxima for her 40th birthday.
The jury panel of the Johannes Vermeer Prize consists of Victor Halberstadt (Chairman), Judith Belinfante, Janine van den Ende, Hans Cheap and Paul Schnabel. The jury commends Erwin Olaf for his extensive and unique work and his ability to renew his work. According to the jury Olaf 'became the author of work that exudes the passion for the profession, but also a work that is exceptionally rich in quality'.
The Johannes Vermeer Prize is a Dutch state award for the arts, established to honor outstanding artistic Dutch talent. The award includes a cash prize of 100,000 euros, meant for the creation of a special project. The prize may be awarded to artists working in the Netherlands from all disciplines, from dance to design, fashion to music and writing to painting. Olaf is the third winner of the Johannes Vermeer Award. In 2010 the prize was awarded to film director Alex van Warmerdam. In 2009 the prize was awarded to opera director Pierre Audi.
The official presentation of the Johannes Vermeer Prize will take place on Monday, October 31, 2011 in The Prinsenhof in Delft.
In the eighties Olaf gained rcognition as a photographer with his series Squares and Chessmen. For Chessmen Olaf received the prize for European Photography.
Later, in the nineties, Olaf produced several other series such as Fashion Victims and Royal Blood. His early work can be perceived as bold and provocative, with nudes and bondage clothing. However, in his later work such as Hope and Grief, the vulnerability and loneliness of the human being takes the overhand.
Alongside his private work, he also worked on commercial contracts including Levi's, Microsoft and Nokia. Recently he portrayed Dutch Princess Máxima for her 40th birthday.
The jury panel of the Johannes Vermeer Prize consists of Victor Halberstadt (Chairman), Judith Belinfante, Janine van den Ende, Hans Cheap and Paul Schnabel. The jury commends Erwin Olaf for his extensive and unique work and his ability to renew his work. According to the jury Olaf 'became the author of work that exudes the passion for the profession, but also a work that is exceptionally rich in quality'.
The Johannes Vermeer Prize is a Dutch state award for the arts, established to honor outstanding artistic Dutch talent. The award includes a cash prize of 100,000 euros, meant for the creation of a special project. The prize may be awarded to artists working in the Netherlands from all disciplines, from dance to design, fashion to music and writing to painting. Olaf is the third winner of the Johannes Vermeer Award. In 2010 the prize was awarded to film director Alex van Warmerdam. In 2009 the prize was awarded to opera director Pierre Audi.
The official presentation of the Johannes Vermeer Prize will take place on Monday, October 31, 2011 in The Prinsenhof in Delft.
"Vermeer Noir" might be an apt description of Dutch photo grapher Erwin Olaf's disquieting image repertoire. His subjects are posed indoors, immobile, somewhat in reverie and bathed in nearby window light--but not tranquilly so. An atmosphere of sinister but clinical indifference attends both them and their environments, rendering them into beautiful but dislocated mannequins in catalogue-furnished interiors. All sense of belonging to a place is eliminated. Each richly colored and sleekly composed image offers a sly reinterpretation of Norman Rockwell-like iconography and characters, manifesting a nostalgia that both burlesques and celebrates America of the 1950s and 60s. Dramatic emotions are hinted at but left ambiguous; certainly nothing in the models' surroundings suggests a cause. Here, across three themes of Hope, Grief and Rain, Olaf blends mid-century Modern and Noir in the lens of contemporary fashion. Avocado greens, golden-hued oranges and subtle lilacs brighten and deaden simultaneously, sending an irresolvable tension through his scenarios like an electric current. This tension, strung between the polar effects of zing and muteness, is the line Olaf treads in his pictures. As a whole, the work defines what critic Jonathan Turner usefully describes as "Olaf's recent fascination with the visual representation of such emotions as loss, loneliness and quiet despair... [He] plays games with the idea of cold reality versus cruel artifice, capturing that precise moment when innocence, hope and joy are lost."
Erwin Olaf was born in Hilversum, Holland, in 1959. As a commerical photographer, he has created campaigns for Nicorette, Nokia, Diesel, Microsoft, Heineken and Audi. His artwork has most recently been exhibited in a solo show at the Groninger Museum in the Netherlands, and was published in a monograph titled Joy. He currently lives in Amsterdam.
Vermeerprijs voor fotograaf Erwin Olaf
artikel | Donderdag 09-06-2011 | Sectie: Overig | Pagina: 19
De Johannes Vermeerprijs 2011 is gewonnen door fotograaf Erwin Olaf. De jury heeft hem voorgedragen vanwege de 'hoge kwaliteit van zijn gehele oeuvre'. Aan de prijs is honderdduizend euro verbonden, te besteden aan een speciaal project.
De onderscheiding is een Nederlandse staatsprijs voor de kunsten, die is ingesteld om uitzonderlijke kunstenaars eer te bewijzen en artistiek talent te stimuleren.
De jury onder leiding van Victor Halberstadt prijst Olaf voor zijn 'omvangrijke en unieke werk en zijn vermogen telkens nieuwe wegen in te slaan'. Ik hou er niet van om de werkelijke wereld weer te geven. Ik laat liever de wereld zien zoals die in mijn hoofd zit en wil, als ik een foto maak, zo veel mogelijk zelf kunnen bepalen'', zei Olaf in een interview met deze krant.
Na 1995 ben ik eigenlijk alleen nog maar beeld gaan manipuleren. Ik beschouw Photoshop als een verlengstuk van de geest. Maar uiteindelijk is het toeval in die gemanipuleerde wereld ook weer belangrijk. Ik probeer alles te beïnvloeden: omgeving, kleding, houding. Alleen het model heeft nog speelruimte. Die vrijheid moet je iemand ook geven. En die zie je vaak terug in iemands blik. Daarin schuilt vaak een verborgen wereld.
De 51-jarige Olaf brak in de jaren tachtig door nadat hij met zijn serie Chessmen de prijs voor Europese fotografie won. In de jaren negentig maakte Olafverschillende vrije fotoreeksen, waaronder Fashion Victims en Royal Blood. Zijn werk wordt gekenmerkt door provocerende beeldtaal, vindt de jury. Ik verleid graag visueel, vertelde de fotograaf in een interview in Focus. Je kijkt schijnbaar naar een mooi plaatje. Maar hoe langer je kijkt, hoe meer je ziet.
De Vermeerprijs wordt jaarlijks toegekend aan kunstenaars uit alle disciplines. Olaf is de derde laureaat. Vorig jaar ging de prijs naar regisseur Alex van Warmerdam, in 2009 naar operaregisseur Pierre Audi.
Olaf neemt de prijs op 31 oktober in ontvangst in Het Prinsenhof in Delft.
Op dit artikel rust auteursrecht van NRC Handelsblad BV, respectievelijk van de oorspronkelijke auteur.
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