Views & Reviews Faces from Sierra Leone Dead Traffic Kim Thue Photography

Dead Traffic - Faces from Sierra Leone
Kim Thue has spent the past few years shooting in Big Wharf, one of the the biggest and most dangerous slums of Freetown, Sierra Leone, where the locals affectionately call him "The Notorious K.I.M."

Danish photographer Kim Thue is the type of person who would commonly be referred to as a badass. He has spent the past few years shooting in Big Wharf, one of the the biggest and most dangerous slums of Freetown, Sierra Leone, where the locals affectionately call him "The Notorious K.I.M." The gritty black and white photos he took during his travels in west Africa have now been collected in the ominously dubbed Dead Traffic, a new photo book that is being published by .

Here's what Kim had to say about his new book in a recent interview:

"Despite Sierra Leone being renowned for its brutal civil war, I didn’t have a hidden political agenda, a specific humanitarian issue, or even a clear story in mind whilst making the book. I went to Freetown, not as a photojournalist, but as a stranger with a camera and an open heart. What I hope to have created is something the viewer can tune in to emotionally. Something that hits a nerve without being coercive in nature, and without staking a monopoly on a specific kind of truth. A collection of images simply suggesting that the inextricable coexistence of beauty and dread is an ever present theme within this vigorous and inclement city."

Kim Thue will celebrate Dead Traffic with an opening at the Freelens Gallery in Hamburg this Thursday, which will be followed by a six-week exhibition in the gallery. You can pre-order the book here, watch a video here, read an interview here, and follow Kim's work at Prospekt Agency.

See also

The Suitcase Collection Photobooks from Africa Asia-Pacific and Ireland Unseen Amsterdam 2018 Photography

FRIDAY, JANUARY 4, 2013
Best Books - A Closer Look: Dead Traffic

Dead Traffic by Kim Thue

The title of Kim Thue’s new book Dead Traffic conjures up a variety of images. Indeed Thue’s Dead Traffic, modestly wrapped in beige cloth with the title in all caps on the cover, is not a book to be browsed lightly despite the ease with which it resides in the hands. The photos are grainy and gritty and printed on a creamy yellow paper giving them a quality of warmth and age. Thue's photos confront a world where life is not easily lived, but Big Wharf in Freetown, Sierra Leone was like a home away from home for him.

Kim Thue, a self-described bald, blue-eyed Dane, was invited to document daily life surrounding a charitable Danish hospital in the capital of this West African city. He found Big Wharf, a small community filled with youth and immersed in a world that faced challenges of crime, prostitution and drugs. Thue’s personality and spirit resonated with these individuals and, striving to reject the cliched Western images of the postcolonial world, he set out to document a different view of the everyday life of Freetown.

Dead Traffic by Kim Thue

Dead Traffic by Kim Thue

His photos are mostly portraits—those of people and a few animals. Scars, tattoos and injuries mar their bare flesh. One series of portraits is shown four to a spread, all with the backdrop of a graffiti marked wall. The head tilts and body angles vary, but all sitters stare into the camera. They are all so enticing in their formality. I stopped and explored one photo in the series of a handsome bare chested man and moved over to another of a man with the tattoo of the Anglo-featured woman on his arm, followed by a woman with a floral head scarf, another female donning a Ralph Lauren shirt and finally a woman wearing a rosary that falls around her neck, the cross resting on her bikini top. Many of the other portraits are candid of briefly halted scenes. The portraits are broken up with the occasional interior or street scene, but mostly life in this area is mapped on the faces of its residents.

Dead Traffic by Kim Thue

Dead Traffic by Kim Thue

The eagle, which is revealed in the interview with Thue is detained as a future meal, makes an appearance often in the book. Thue states that he spent much time with the animal, but knowing its fate and the trust placed in him by those who would benefit from the nourishment, he could not release the predator. This bird of prey that would normally fly free above the streets of Big Warf is shown trapped, tied down with rope and rocks placed on its wings. Thue includes three images of this bird in Dead Traffic – one after the frontispiece, in the middle spread and the penultimate plate. Thue states that this is merely a book of photographs, it tells no ultimate truths, but this motif of the trapped bird contains some statement about the life of those who live in Big Wharf. -- Melanie McWhorter

Selected as one of the Best Books of 2012 by:
Svetlana Bachevanova

Dead Traffic - Kim Thue from Prospekt Photographers on Vimeo.