San José, Costa Rica Hotel Irazu, 21 Juni 1979
Photographer Koen Wessing died on Wednesday at the age of 69. The Dutch photographer, who worked for the Hollandse Hoogte press agency, was well known for his photographic stories. Wessing received international acclaim for his work in Chile during the aftermath of the military coup of 1973.
Koen Wessing with prints for his exhibition in Santiago from Jeroen de Vries on Vimeo.
Henk Otte - Koen Wessing from dutchdoc on Vimeo.
Koen Wessing a photographer 10 years after a Revolution from Rob Brouwer on Vimeo.
Commenting on the book, Parr & Badger in their reference work, “The Photobook: A History” wrote, "The Dutch photographer Koen Wessing was on the streets of Santiago immediately after the coup happened. His gritty documentary pictures were quickly published in this no frills, extremely elegant photobook … There are not many images in the book, but each is carefully considered, modest and succinct ... despite the difficulties of taking photographs in such a tense and difficult situation. The main thrust of the book is the coup’s immediate aftermath, the shock and grief of the people, the rounding up of Allende’s supporters by the Army, and their herding into the now notorious National Stadium in Santiago, where many would be tortured and killed. Wessing vividly captures one of these executions, in a two-page sequence that forms the book’s climax.”
Koen Wessing: Chili, September 1973
Books on Books No. 8
Text by Pauline Terreehorst, Jeffrey Ladd.
Koen Wessing's Chili, September 1973 is a shocking account of government brutality, from a socially concerned and politically engaged Dutch photojournalist who has gone on to make similarly powerful images in Ireland, Chile, Guinea-Bissau, Nicaragua, El Salvador, China, Berlin and Amsterdam. First published in 1973, just months after the fall of Salvador Allende to Augusto Pinochet's coup d'etat, it describes the tense days of the military attempt to root out public opposition in the streets of Santiago, and has since become one of documentary photography's most exemplary moments. This entry in Errata Editions' Books on Books series reproduces every spread from Wessing's gritty documentation of Chile's darkest historical moment; art historian and film theorist Pauline Terreehorst contributes a contemporary essay titled “The Man in the Grey Suit: Koen Wessing: Chili 1973.”
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