maandag 3 oktober 2011

Vivian Maier Street Photographer Metropolis Noorderlicht Photofestival Groningen 2011 Photography



Vivian Maier

Street Photographer

ancillary show / 11 sep9 oct 2011




This unique additional exhibition of Metropolis shows the work of the recently discovered photographer Vivian Maier (1926-2009). Most pictures have never been on display before. Her streetphotography shows humorous, moving, beautiful, and raw images of all facets of city life in America in the 1950's.
A good street photographer must possess many talents: an eye for detail, light, and composition; impeccable timing; a humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.


Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City, to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the width of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.
Discovery
It wasn’t until realtor and amateur historian John Maloof stumbled upon a box of anonymous negatives in a Chicago auction house in 2007 that any of her marvelous work saw the light of day. Vivian Maier – Street Photograper presents for the first time in The Netherlands a broad selection of her werk.


There is still very little known about the life of Vivian Maier. What is known is that she was born in New York in 1926 and worked as a nanny for a family on Chicago’s North Shore during the 50s and 60s. Seemingly without a family of her own, the children she cared for eventually acted as caregivers for Maier herself in the autumn of her life. She took hundreds of thousands of photographs in her lifetime, but never shared them with anyone. Maier lost possession of her art when her storage locker was sold off for non-payment. She passed away in 2009 at the age of 83.













zondag 2 oktober 2011

Hans Wilschut Megacities Metropolis Noorderlicht Photofestival 2011 Groningen Photography


Hans Wilschut - Megacities

Metropolis














































In his urban photo graphy that is part of the Noorderlicht Photofestival Metropolis, Hans Wilschut does not focus on the finished product, but on a 'moment in between', an interim state of development. His images of construction sites, which many might denigratingly term 'holes in the ground', reveal the idiosyncratic beauty of the incomplete, the building that is not yet smooth and polished. Wilschut himself describes his work as “ad hoc archaeology”. In cinematic photos, made with long exposures and a view camera, history is frozen at the moment that it takes place. At the same time, he records the dreams and desires that are being translated into steel, glass and concrete.

Hans Wilschut (Netherlands, 1966) is a photographer and visual artist. He specialises in urban and industrial landscapes, often photographed by night and from surprising angles. With his long exposures he shows us a city that appears to be built of light. Among his books are Still Motion (2010) and Hidden Harbour (2010). The latter contains images of the Rotterdam harbour in the first evening twilight.











Hans Wilschut Megacities Metropolis Noorderlicht Photofestival 2011 Groningen Photography


Hans Wilschut - Megacities

Metropolis














































In his urban photo graphy that is part of the Noorderlicht Photofestival Metropolis, Hans Wilschut does not focus on the finished product, but on a 'moment in between', an interim state of development. His images of construction sites, which many might denigratingly term 'holes in the ground', reveal the idiosyncratic beauty of the incomplete, the building that is not yet smooth and polished. Wilschut himself describes his work as “ad hoc archaeology”. In cinematic photos, made with long exposures and a view camera, history is frozen at the moment that it takes place. At the same time, he records the dreams and desires that are being translated into steel, glass and concrete.

Hans Wilschut (Netherlands, 1966) is a photographer and visual artist. He specialises in urban and industrial landscapes, often photographed by night and from surprising angles. With his long exposures he shows us a city that appears to be built of light. Among his books are Still Motion (2010) and Hidden Harbour (2010). The latter contains images of the Rotterdam harbour in the first evening twilight.











zaterdag 1 oktober 2011

Sign “☮” the Times Medium with a Mission the Protest Set Photography





Dutch Eyes: A Critical History of Photography in the Netherlands paints a vivid picture of developments, events and key figures in Dutch photography from 1839 to the present day, within their social, economic, technological, cultural and historical context.




Medium with a Mission. Social Commitment and Documentary Photography, 1930-1980— Veronica Hekking 
See for The times they were a changin' The Protest Box Martin Parr Gerry Badger Photography




AKTIEGROEP NIEUWMARKT - - Blauwe maandag. Omdat mijn huis daar stond, 24 maart 1975. Een verslag in fotoos van de gebeurtenissen die dag in de Amsterdamse Nieuwmarkt. (Uitgave van de Aktiegroep Nieuwmarkt); Tweede druk. 14x20,5 cm. Papieromslag. 64 pp.; oblong foto-boekje met bijschriften, met ca. 60 foto's door Pieter BroersmaVincent Mentzel, Roberto-Peeters, Wim RuigrokRob StolkDolf ToussaintGerda van der VeenHannes Wallrafen en Koen Wessing, met enkele krantenartikelen en tekeningen in reproductie m.b.t. het verloop van de beruchte èn gehate ontruiming van panden in de Nieuwmarkt-buurt.






VONDELSTRAAT, - Even geduld, deze straat is gekraakt.

Amsterdam, Lont, 1980. ongepagineerd. Illustraties. Vondelstraat februari maart, 1980


BLOM, JOOP, E.A., De Vondelstraat. Verslagen van Radio STAD 29 februari - 3 maart 1980. Amst., Van Gennep, 1980. Tweede druk. 21x15 cm. Pb. 199 pp., met medewerking van div. persfotografen. - Reportages en interviews rond de ontruiming van de gekraakte panden van de Groote Keijser te Amsterdam. ISBN 90 6012 434 0.






VONK, JAN. - Het Hek Moet Van de Dam

Amsterdam, Lont, 1984. First edition. Softcover. 21x15. Illustrated throughout. Stiff wrappers. [History politics international relations political movements studies conflict analysis resolution historical social cultural.







Banning, Gerlo oadodewaard gaat dicht '81, een fotoverslagOnderstroom/ Fotocollectief Nijmegen1981, softcover, vierkant formaat




GRIMBERGEN, CEES ; HUIBERS, ROB ; PEIJL, DICK VAN DER - Amelisweerd De weg van de meeste weerstand Twaalf jaar milieu-activisme Het failliet van de inspraak-industrie Rijkswaterstaat als bulldozermacht. Uitgeverij Ordeman, Rotterdam, 1983, 1e druk. Gebrocheerd. Tekst: Journalisten Kollektief, Utrecht. Opmaak: Rob Huibers. Veel foto's. Pp 144.





STRIKWERDA, SIENIE - KRUISRAKETTEN ONGEWENST VOOR EN NA 29 OKTOBER 1983.

Amersfoort/Amsterdam, De Horstink en Jan Mets, 1983. 2e druk 96 pp. Pb. 22 x 22 cm.


Sign “☮” the Times Medium with a Mission the Protest Set Photography





Dutch Eyes: A Critical History of Photography in the Netherlands paints a vivid picture of developments, events and key figures in Dutch photography from 1839 to the present day, within their social, economic, technological, cultural and historical context.




Medium with a Mission. Social Commitment and Documentary Photography, 1930-1980— Veronica Hekking 
See for The times they were a changin' The Protest Box Martin Parr Gerry Badger Photography




AKTIEGROEP NIEUWMARKT - - Blauwe maandag. Omdat mijn huis daar stond, 24 maart 1975. Een verslag in fotoos van de gebeurtenissen die dag in de Amsterdamse Nieuwmarkt. (Uitgave van de Aktiegroep Nieuwmarkt); Tweede druk. 14x20,5 cm. Papieromslag. 64 pp.; oblong foto-boekje met bijschriften, met ca. 60 foto's door Pieter BroersmaVincent Mentzel, Roberto-Peeters, Wim RuigrokRob StolkDolf ToussaintGerda van der VeenHannes Wallrafen en Koen Wessing, met enkele krantenartikelen en tekeningen in reproductie m.b.t. het verloop van de beruchte èn gehate ontruiming van panden in de Nieuwmarkt-buurt.






VONDELSTRAAT, - Even geduld, deze straat is gekraakt.

Amsterdam, Lont, 1980. ongepagineerd. Illustraties. Vondelstraat februari maart, 1980


BLOM, JOOP, E.A., De Vondelstraat. Verslagen van Radio STAD 29 februari - 3 maart 1980. Amst., Van Gennep, 1980. Tweede druk. 21x15 cm. Pb. 199 pp., met medewerking van div. persfotografen. - Reportages en interviews rond de ontruiming van de gekraakte panden van de Groote Keijser te Amsterdam. ISBN 90 6012 434 0.






VONK, JAN. - Het Hek Moet Van de Dam

Amsterdam, Lont, 1984. First edition. Softcover. 21x15. Illustrated throughout. Stiff wrappers. [History politics international relations political movements studies conflict analysis resolution historical social cultural.







Banning, Gerlo oadodewaard gaat dicht '81, een fotoverslagOnderstroom/ Fotocollectief Nijmegen1981, softcover, vierkant formaat




GRIMBERGEN, CEES ; HUIBERS, ROB ; PEIJL, DICK VAN DER - Amelisweerd De weg van de meeste weerstand Twaalf jaar milieu-activisme Het failliet van de inspraak-industrie Rijkswaterstaat als bulldozermacht. Uitgeverij Ordeman, Rotterdam, 1983, 1e druk. Gebrocheerd. Tekst: Journalisten Kollektief, Utrecht. Opmaak: Rob Huibers. Veel foto's. Pp 144.





STRIKWERDA, SIENIE - KRUISRAKETTEN ONGEWENST VOOR EN NA 29 OKTOBER 1983.

Amersfoort/Amsterdam, De Horstink en Jan Mets, 1983. 2e druk 96 pp. Pb. 22 x 22 cm.