...a photoBook is an autonomous art form, comparable with a piece of sculpture, a play or a film. The photographs lose their own photographic character as things 'in themselves' and become parts, translated into printing ink, of a dramatic event called a book...
- Dutch photography critic Ralph Prins
Posts tonen met het label Bint photoBooks on INTernet Hans van der Meer Work and Play a Retrospective Photography. Alle posts tonen
Posts tonen met het label Bint photoBooks on INTernet Hans van der Meer Work and Play a Retrospective Photography. Alle posts tonen
This first retrospective exhibition of the Dutch photographer Hans van der Meerwill feature photographs, videos and artist's books from the period 1984 to 2008. "Quirk of Fate", Van der Meer's first book of photography, forms the starting point of the exhibition.
It presents a collection of photographs taken in Budapest between 1984 and 1986, where the artist was living at that time. This book, along with his "Werk" (Work) project at the beginning of the 1990s, reveals his central interest: the situation of the individual in socially defined spaces.
As an artist and mediator, he explores our behaviour patterns and gestures of participation in public life, questioning the social function of photography in the context of contemporary image culture. This is the red thread that runs through the exhibition, in which further themes include the observation and exploration of urban space (in projects focusing on the urban development of Amsterdam) and, particularly, his films and photo series about the world of minor league football clubs– "Dutch Fields" and "European Fields" – that are probably most well-known internationally.
This first retrospective exhibition of the Dutch photographer Hans van der Meerwill feature photographs, videos and artist's books from the period 1984 to 2008. "Quirk of Fate", Van der Meer's first book of photography, forms the starting point of the exhibition.
It presents a collection of photographs taken in Budapest between 1984 and 1986, where the artist was living at that time. This book, along with his "Werk" (Work) project at the beginning of the 1990s, reveals his central interest: the situation of the individual in socially defined spaces.
As an artist and mediator, he explores our behaviour patterns and gestures of participation in public life, questioning the social function of photography in the context of contemporary image culture. This is the red thread that runs through the exhibition, in which further themes include the observation and exploration of urban space (in projects focusing on the urban development of Amsterdam) and, particularly, his films and photo series about the world of minor league football clubs– "Dutch Fields" and "European Fields" – that are probably most well-known internationally.
...Photography is the visual medium of the modern world. As a means of recording, and as an art form in its own, it pervades our lives and shapes our perceptions...