zaterdag 27 februari 2010

Eva Besnyö Zeeland toen Photography


Eva Besnyo: Zeeland Toen. Amsterdam: Drukkerij Mart, 1990. [Text by Jacqueline Louwerse; published in Dutch; paperback, 60 pages, 23 cm., 35/40]

The Big Flood of 1953 photographed

During the night of 31 January 1953, a flood disaster hit the South-west of the Netherlands. About 1850 people and tens of thousands of animals lost their lives. Around 100,000 people had to be evacuated, 4500 buildings were destroyed and many more were damaged. Almost 200,000 hectares of land were flooded. Nine months later the last hole in the dike was closed.


Of the numerous floods that have swept the Netherlands, this was the first one to be documented photographically on a large scale. Journalists, photographers and filmmakers travelled to the disaster area in large numbers. For this website all photographs made in February 1953 of the flood disaster by Dolf Kruger, Ed van der Elsken, Aart Klein, Kees Molkenboer, Cas Oorthuys and Ed van Wijk have been scanned.

The Nederlands fotomuseum (Netherlands Museum for Photography) aims at making Dutch photography and its history easily accessible and at furthering people’s interest in this cultural heritage.










Eva Besnyö Zeeland toen Photography


Eva Besnyo: Zeeland Toen. Amsterdam: Drukkerij Mart, 1990. [Text by Jacqueline Louwerse; published in Dutch; paperback, 60 pages, 23 cm., 35/40]

The Big Flood of 1953 photographed

During the night of 31 January 1953, a flood disaster hit the South-west of the Netherlands. About 1850 people and tens of thousands of animals lost their lives. Around 100,000 people had to be evacuated, 4500 buildings were destroyed and many more were damaged. Almost 200,000 hectares of land were flooded. Nine months later the last hole in the dike was closed.


Of the numerous floods that have swept the Netherlands, this was the first one to be documented photographically on a large scale. Journalists, photographers and filmmakers travelled to the disaster area in large numbers. For this website all photographs made in February 1953 of the flood disaster by Dolf Kruger, Ed van der Elsken, Aart Klein, Kees Molkenboer, Cas Oorthuys and Ed van Wijk have been scanned.

The Nederlands fotomuseum (Netherlands Museum for Photography) aims at making Dutch photography and its history easily accessible and at furthering people’s interest in this cultural heritage.










vrijdag 26 februari 2010

Street culture New York Ari Marcopoulos Photography

This spring Foam_Fotografiemuseum Amsterdam presents an exhibition by the Amsterdam-born photographer and filmmaker, Ari Marcopoulos. Marcopoulos (b. 1957, Amsterdam) set off for New York in 1979 and quickly became a significant documenter of alternative youth culture in America throughout the last three decades. Foam is showing work from his entire oeuvre, ranging from photos of the emerging hip-hop and downtown art scene in New York in the 1980s and the snowboard and skate culture in the 1990s, to frequent depictions of his own family in Northern California over the last ten years.

Marcopoulos’s work is characterized by a remarkable feeling of intimacy. Whether it concerns celebrities from the world of music or art, or his own family, he approaches his subjects in an intuitive manner and he always knows how to get close to the heart. His photos are direct, extremely personal and subtly structured. Recurrent themes are art, music, graffiti and the vulnerability of the human body. The exhibition shows a cross-section of his work from the last 30 years, varying from grainy black and white copies, monumental colour photos, videos, books and zines.

Upon arriving in New York, self-taught Marcopoulos had the opportunity to learn the profession from two great, but very different masters. He started out as a darkroom printer for Andy Warhol, from whom he learned that anything is worth photographing. Marcopoulos also worked as an assistant to photographer Irving Penn, from whom he gained more technical skill and learned that control and a simple approach produce the best images.

At the beginning of the 1980s, Marcopoulos began to photograph street culture in New York, which at the time was characterized by an emerging graffiti and hip-hop scene. As is evidenced throughout his entire oeuvre, Marcopoulos has the ability to assimilate into the group he’s following, by which he seems to stay ahead of the Zeitgeist. His earlier work contains portraits of personalities that later emerged as the leading players of their time, such as Jean-Michel Basquiat, Robert Mapplethorpe and rappers like Rakim, LL Cool J or Run DMC.



In the 1990s, Marcopoulos became interested in the lives of skateboarders. He befriended a group of young skaters who were recruited for the film Kids by Larry Clark in 1995. Marcopoulos followed them on a bicycle and documented them both as a group and in their personal lives. An assignment for a snowboard company introduced Marcopoulos to a new youth culture of snowboarders. In documenting these groups, he combined images of extreme physical exertion and concentration with intimate images of their daily lives.

After his marriage, Marcopoulos moved to the West Coast, where he became the father of two sons, Cairo and Ethan, who frequently appear in his photos. The themes from his earlier years return in photographs of his children growing up, such as skateboarding, graffiti and music.

Ari Marcopoulos became acquainted with photography at an early age, when he received an SLR camera as a gift from his father. After living in New York for a long time, for the last few years he has resided in northern California. Marcopoulos has exhibited his work in Gavin Brown’s Enterprise, NY (2000), Deitch Project NY, The Photographer’s Gallery, London (2002), MOMA (2005), MU Eindhoven (2006), Gallery White Room, Tokyo (2008), Berkeley Art Museum and Pacific Film Archive, CA (2009), amongst others.


Several books of Marcopoulos’ work have been published, including Transitions and Exits, New York powerHouse Books (2001), Release your inner Ari, self-published (2006), Free Fall, Paris Nuke (2007), The Chance is Higher, New York Dashwood Books (2008), Within Arm’s Reach, JRP Ringier (2009).



Street culture New York Ari Marcopoulos Photography

This spring Foam_Fotografiemuseum Amsterdam presents an exhibition by the Amsterdam-born photographer and filmmaker, Ari Marcopoulos. Marcopoulos (b. 1957, Amsterdam) set off for New York in 1979 and quickly became a significant documenter of alternative youth culture in America throughout the last three decades. Foam is showing work from his entire oeuvre, ranging from photos of the emerging hip-hop and downtown art scene in New York in the 1980s and the snowboard and skate culture in the 1990s, to frequent depictions of his own family in Northern California over the last ten years.

Marcopoulos’s work is characterized by a remarkable feeling of intimacy. Whether it concerns celebrities from the world of music or art, or his own family, he approaches his subjects in an intuitive manner and he always knows how to get close to the heart. His photos are direct, extremely personal and subtly structured. Recurrent themes are art, music, graffiti and the vulnerability of the human body. The exhibition shows a cross-section of his work from the last 30 years, varying from grainy black and white copies, monumental colour photos, videos, books and zines.

Upon arriving in New York, self-taught Marcopoulos had the opportunity to learn the profession from two great, but very different masters. He started out as a darkroom printer for Andy Warhol, from whom he learned that anything is worth photographing. Marcopoulos also worked as an assistant to photographer Irving Penn, from whom he gained more technical skill and learned that control and a simple approach produce the best images.

At the beginning of the 1980s, Marcopoulos began to photograph street culture in New York, which at the time was characterized by an emerging graffiti and hip-hop scene. As is evidenced throughout his entire oeuvre, Marcopoulos has the ability to assimilate into the group he’s following, by which he seems to stay ahead of the Zeitgeist. His earlier work contains portraits of personalities that later emerged as the leading players of their time, such as Jean-Michel Basquiat, Robert Mapplethorpe and rappers like Rakim, LL Cool J or Run DMC.



In the 1990s, Marcopoulos became interested in the lives of skateboarders. He befriended a group of young skaters who were recruited for the film Kids by Larry Clark in 1995. Marcopoulos followed them on a bicycle and documented them both as a group and in their personal lives. An assignment for a snowboard company introduced Marcopoulos to a new youth culture of snowboarders. In documenting these groups, he combined images of extreme physical exertion and concentration with intimate images of their daily lives.

After his marriage, Marcopoulos moved to the West Coast, where he became the father of two sons, Cairo and Ethan, who frequently appear in his photos. The themes from his earlier years return in photographs of his children growing up, such as skateboarding, graffiti and music.

Ari Marcopoulos became acquainted with photography at an early age, when he received an SLR camera as a gift from his father. After living in New York for a long time, for the last few years he has resided in northern California. Marcopoulos has exhibited his work in Gavin Brown’s Enterprise, NY (2000), Deitch Project NY, The Photographer’s Gallery, London (2002), MOMA (2005), MU Eindhoven (2006), Gallery White Room, Tokyo (2008), Berkeley Art Museum and Pacific Film Archive, CA (2009), amongst others.


Several books of Marcopoulos’ work have been published, including Transitions and Exits, New York powerHouse Books (2001), Release your inner Ari, self-published (2006), Free Fall, Paris Nuke (2007), The Chance is Higher, New York Dashwood Books (2008), Within Arm’s Reach, JRP Ringier (2009).



dinsdag 23 februari 2010

(Shopping) Mall Walkers Peter Tijhuis Photography

Peter Tijhuis Photography ... & lees verder ...



Ghosts of Shopping Past

Interview by Nozlee Samadzadeh

Landscaping overgrows, walls develop mildew, ceilings cave in—a building can be shut down, but that doesn’t make it go away. Brian Ulrich’s photographs of closed-down malls and big-box retail stores reveal the potential ghost towns lying inside successful shopping complexes all across America.




(Shopping) Mall Walkers Peter Tijhuis Photography

Peter Tijhuis Photography ... & lees verder ...



Ghosts of Shopping Past

Interview by Nozlee Samadzadeh

Landscaping overgrows, walls develop mildew, ceilings cave in—a building can be shut down, but that doesn’t make it go away. Brian Ulrich’s photographs of closed-down malls and big-box retail stores reveal the potential ghost towns lying inside successful shopping complexes all across America.




maandag 22 februari 2010

Unemployment & Society in the Netherlands 1975 1990 & in the USA today Photojournalism Photography

Photography Bert Nienhuis, Han Singels, Gon Buurman
Werk(loosheid) en samenleving. Een fotografische visie over de periode 1975-1990
Bunnik Landelijke Stuurgroep Sociaal Kulturele Aktiviteiten voor Werklozen 1990. Orig. photo dec. wrappers, illustr. b/w photographs, 59 p. Soft Cover 27,5x27 cm








MEER, HANS VAN DER - HAVEMAN, MARIËTTE (ED.). - Werk: Produktiebedrijven gefotografeerd.

Amsterdam, Boekhandel De Verbeelding, 1993. Illustrated wrappers over soft boards (softcover), 20,2 x 21 cms., (4), 84 pp., 81 phot. plates in black-and-white, printed at Steendrukkerij De Jong, Hilversum. ISBN: 9074159060

Ineke Heising, Ernst Hellemink, Hans Booms (eds)
Werk/Work. De Randstad fotocollectie. The Randstad Collection of Photographs 1988-1995
Randstad, Amsterdam 1995 Large sq. 4to, hb, spiralled binding, photographs from Hans Aarsman, Taco Anema, Paul de Nooijer, Erwin Olaf, Cas Oorthuys, Hannes Wallrafen, Eva Besnyö, Koos Breukel, Rineke Dijkstra, Cor Jaring, Aart Klein, Philip Mechanicus, Hans van der Meer, Dolf Kruger a.o.



The picture of an armed officer of the Cuyahoga County Sheriff's Department by Anthony Suau as World Press Photo of the Year 2008 ...



Unemployment & Society in the Netherlands 1975 1990 & in the USA today Photojournalism Photography

Photography Bert Nienhuis, Han Singels, Gon Buurman
Werk(loosheid) en samenleving. Een fotografische visie over de periode 1975-1990
Bunnik Landelijke Stuurgroep Sociaal Kulturele Aktiviteiten voor Werklozen 1990. Orig. photo dec. wrappers, illustr. b/w photographs, 59 p. Soft Cover 27,5x27 cm








MEER, HANS VAN DER - HAVEMAN, MARIËTTE (ED.). - Werk: Produktiebedrijven gefotografeerd.

Amsterdam, Boekhandel De Verbeelding, 1993. Illustrated wrappers over soft boards (softcover), 20,2 x 21 cms., (4), 84 pp., 81 phot. plates in black-and-white, printed at Steendrukkerij De Jong, Hilversum. ISBN: 9074159060

Ineke Heising, Ernst Hellemink, Hans Booms (eds)
Werk/Work. De Randstad fotocollectie. The Randstad Collection of Photographs 1988-1995
Randstad, Amsterdam 1995 Large sq. 4to, hb, spiralled binding, photographs from Hans Aarsman, Taco Anema, Paul de Nooijer, Erwin Olaf, Cas Oorthuys, Hannes Wallrafen, Eva Besnyö, Koos Breukel, Rineke Dijkstra, Cor Jaring, Aart Klein, Philip Mechanicus, Hans van der Meer, Dolf Kruger a.o.



The picture of an armed officer of the Cuyahoga County Sheriff's Department by Anthony Suau as World Press Photo of the Year 2008 ...