Posts tonen met het label Martin Parr. Alle posts tonen
Posts tonen met het label Martin Parr. Alle posts tonen

dinsdag 20 december 2011

Our Working People Philip Morris International Ferdinando Scianna, Martin Parr, Ian Berry, Harry Gruyaert and Elliott Erwitt Magnum Company Photography


MAGNUM - THOMA, WALTER & HARALD WIEDENHOFER. - Our Working People.

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London, Black Sun Plc., no date (approx. 1995), Full red cloth-covered boards (hardcover), 37,5 x 34,5 cms., unpag. (approx. 100 pp.) with full-page photographic illustrations in colour and black/white. Housed in black cloth-covered cardboard slipcase. Phot. contributions by Ferdinando Scianna, Martin Parr, Ian Berry, Harry Gruyaert and Elliott Erwitt.


The Marlboro Man


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He was the Most Influential Man Who Never Lived.  Though there were many Marlboro Man models over time until 1999 (factoid: but only three of them succumbed to lungs cancer), the original inspiration for the Philip Morris cigarette advertising campaign came through Life magazine photographs by Leonard McCombe from 1949.
Clarence Hailey Long (above) was a 39-year-old, 150-pound foreman at the JA ranch in the Texas panhandle, a place described as “320,000 acres of nothing much.” Once a week, Long would ride into town for a store-bought shave and a milk shake. Maybe he’d take in a movie if a western was playing. He was described as “as silent man, unassuming and shy, to the point of bashfulness [with a] face sunburned to the color of saddle leather [with cowpuncher's] wrinkles radiating from pale blue eyes.” He wore “a ten-gallon Stetson hat, a bandanna around his neck, a bag of Bull Durhamtobacco with its yellow string dangling from his pocket, and blue denim, the fabric of the profession”. He said things like, “If it weren’t for a good horse, a woman would be the sweetest thing in the world.” He rolled his own smokes.
When the cowboy’s face and story appeared in LIFE in 1949, advertising exec Leo Burnett had an inspiration. Philip Morris, which had introduced Marlboro as a woman’s cigarette in 1924, was seeking a new image for the brand. The image managed to transform a feminine campaign, with the slogan “Mild as May”, into one that was masculine in a matter of months. The “Marlboro Cowboy” and “Marlboro Country” campaigns based on Long boosted Marlboro to the top of the worldwide cigarette market and Long to the top of the marriage market: Long’s Marlboro photographs led to marriage proposals from across the nation, all of which he rejected.
By the time the Marlboro Man went national in 1955, sales were at $5 billion, a 3,241% jump over the previous year. Over the next decade, Burnett and Philip Morris experimented with other manly types — ball players, race car drivers and rugged guys with tattoos (often friends of the creative team, sporting fake tattoos); all worked, but the Marlboro Man worked the best. By the time the first article linking lung cancer to smoking appeared in Reader’s Digest in 1957, the Marlboro sales were at $20 billion. Before the Marlboro Man, the brand’s U.S. share stood at less than 1%, but in 1972 (a year after the cigarette ads were banned from American televisions) it became the No. 1 tobacco brand in the world.

Philip Morris International (PMI) is the leading international tobacco company, with products sold in approximately 180 countries. In 2010, we held an estimated 16.0 percent share of the international cigarette market outside of the U.S., or 27.6 percent excluding the People's Republic of China and the U.S. In terms of market share, we are   the number one company in 13 markets and number two in a further nine of the 30 largest markets by cigarette industry size.
Our aim is to generate superior returns for shareholders, provide high quality and innovative products to adult smokers, and reduce the harm caused by tobacco products. We work toward this last goal by supporting comprehensive regulation based on harm reduction and developing products with the potential to reduce the risk of disease.












donderdag 8 januari 2009

the Best PhotoBook Lists of John Gossage, Martin Parr, Gerry Badger, Alec Soth, Lesley Martin, Chris Pichler, Darius Himes Photography


the best book lists from photo-world luminaries such as John Gossage, Martin Parr, Gerry Badger, Alec Soth, Lesley Martin, Chris Pichler, Darius Himes and many more :

Welcome to the Best Photobooks of 2008 interactive feature — a new and expanded version of what has become a cherished photo-eye tradition. In the window above you'll see a list of prominent photographers, publishers, editors, writers, critics and publications who have been kind enough to share their picks for the top 10 (or so) books of 2008. Clicking on any name will give you their list, and clicking on any book will show all the other lists on which it appears.It's been fascinating to see these come in — not least of all because it's proof that there are far more than 10 objectively "best" books of the year. Indeed, there's not a title on here that doesn't deserve mention, and the sheer number of contributions that were delivered "in no particular order" only further proves that it can be difficult to pick a list of just a few worthy books. That said, here's the ultimate top 10 — the books appearing on the most individual lists:

Stephen Shore: A Road Trip Journal (Phaidon)
Michael Subotzky: Beauford West (Chris Boot)
Joseph Koudelka: Invasion 68 Prague (Aperture)
Larry Towell: The World From My Front Porch (Chris Boot)
Rob Hornstra: 101 Billionaires (Borotov)
The Books on Books series (Errata Editions)
David Maisel: Library of Dust (Chronicle)
Dayanita Singh: Sent a Letter (Steidl)
Robert Frank: The Americans (Steidl)
Stephen Gill: A Series of Disappointments (Nobody)

The following 'Dutch' photobooks are mentioned :

Baghdad Calling. Photography by Geert Van Kesteren..
Largely made up of amateur pictures, this book is all about falling into the gutter.

101 Billionaires. Photographs by Rob Hornstra

Bart Sorgedrager, The Unilever Factories at Delft, Loosdrecht, and Vlaardingen (Unilever)
A great company book – three volumes in a presentation box – commemorating three Unilever factories that have recently closed.

Soul and Soul 1969-1999. Photography by Kiyoshi Suzuki.

PIG 05049 Christien Meindertsma, pub. flocks
The Dutch industrial designer, who almost in spite of herself has produced two of the most elegant and smart political photo books of the last few years.

The Last Days of Shishmaref. Photographs by Dana Lixenberg.

dinsdag 1 januari 2008

The L.P. Polhuis archive an ordinary family album Snapshot Photography

Even by snapshot standards, the images in this charming book are exceptional. Leo Polhuis started photographing his first baby in 1959 and only stopped photographing his family in 1981, when he became ill. Polhius photographed, almost like an anthropologist, all family activities with the enthusiasm typical of a Dutch amateur. Many of these images overlap with current documentary practice and, in this sense, his work seems ahead of its time. Most archives or albums are haphazard, but presented here is a body of work that clearly demonstrates the meticulous devotion of a family man who, over the course of two decades, became a photographer.

About the Author

Frits Gierstberg is a writer and Head of Exhibitions at the Netherlands Fotomuseum, Rotterdam.Stephen Bull is an artist and writer based in Brighton, UK. He is currently Course Director for Photography at Portsmouth University, UK. Martin Parr is a key figure in the world of photography, widely recognized as a brilliant satirist of contemporary life. He is the author of over 30 photography books, including Common Sense, Our True Intent Is All for Your Delight and Boring Postcards, and his photographs have been collected by museums worldwide, including the Getty, The Museum of Modern Art and the Tate Modern. Parr was featured in Cruel and Tender, the Tate Modern's major survey of photography in 2003, and a retrospective of his work that opened at the Barbican Art Gallery in London in 2002 continues to tour major museums around the world.



My First Family Photo Album 1968 Snapshot Photography ...

Read more : Roll Over - analysis of snapshot photography, photos of everyday life not initially produced as art...

Related photography : De Familie van Bennekom...,
Ana Casas Broda Album ...


donderdag 27 december 2007

5B4: 5B4 Best PhotoBooks of 2007


1. Shimmer of Possibility by Paul Graham (Steidl)

OK…the end of 2007 is nigh and although there are still two healthy weeks left I have decided to put out my ‘Best Of” list now instead of spending my New Year’s Eve huddled over a keyboard since I’d rather be drink in hand trying to make that Terry Richardson clown puzzle sign Ole’ Lang Syne. (Maybe that’s an image best put out of your mind ASAP.)

So here are my favorites in an attempted order with five Honorable Mentions. Now mind you I haven’t seen ALL of the books that were published in 2007 so I’m sure I’m missing a few gems. Regardless, all of these titles made me think about photography in new ways even if some held firm to convention. Read more ... 5B4: 5B4 Best Books of 2007

3. The Park by Kohei Yoshiyuki (Hatje Cantz)

See also Martin Parr Year end .. time to look for the best photobooks of 2007

and...

& The Best Photo Books of 2007 : From Afghanistan to the plains of North Dakota, affluence to homelessness, this year's books define photography's big world.

Hans Eijkelboom now has a hip, hit show at Aperture in New York and a clever photo book published in conjunction with it. Sudden exposure didn't happen overnight. Since 1995 he has self published 21 photo diaries and note books in a bewildering array of formats, edition sizes, quality, and content. They are fabulous. Read more ...

zaterdag 3 maart 2007

Bart Sorgedrager Mensenstroom & Kernenergiecentrale Dodewaard


Mensenstroom - herinnering aan de Kernenergiecentrale Dodewaard

idee en concept Bart Sogedrager, Wouter Botman
fotografie Bart Sorgedrager
inleiding Wim Wennekes
begeleiding GKN (Jan Hoekstra, Els de Haas, Anne-Marie Peters-van der Linden), Sep (Frits Bos)
medewerking Herman Evers, Noudi Sponhoff
ontwerp en productie Vormgeversassociatie (Wouter Botman, Jenny van Driel)
tekeningen (uitz. p. 100) Vormgeversassociatie (Jenny van Driel)
lithografie Talens tekst & beeld
druk en afwerking Veenman Drukkers
oplage 1000 exemplaren

Bart Sorgedrager
In 1959 geboren in Terborg. Opgeleid aan de Rietveld Academie in Amsterdam en Parsons School of Design in New York. Werk als documentair fotograaf. Het liefst ziet hij zijn projecten gepubliceerd in boekvorm. Maakte onder meer de boeken ‘Goed Wonen in Nieuw West’ (samen met Jan Versnel), ‘Het laatste jaar van de veren over de Westerschelde’ en boeken over Ajax, de Nederlandse landbouwkolonies in Brazilië, het laatste jaar van de kerncentrale in Dodewaard, de architectuur van de Koude Oorlog, het Olympisch Stadion in Amsterdam, de Vinex-wijk Leidsche Rijn en over de Kruitfabriek in Muiden.


http://www.youtube.com/watch?v=veItpVulJnc


donderdag 18 januari 2007

Gerry Badger & Martin Parr Five Favorite Photobooks

Martin Parr's and Gerry Badger's Five Favorite Photobooks

October 31, 2006

By Edgar Allen Beem

With their second volume of The Photobook: A History (Phaidon 2006), Martin Parr and Gerry Badger (a critic, curator and photographer himself) have presented us with another fascinating, inquisitive, biased, and highly readable account of the published photography book. In the November issue of PDN, Parr and Badger discussed the new publication and the importance of the photobook - as opposed to the print – in the history of the medium.
"It’s a history of photography, yet it's a personal choice at the same time," says Badger, who wrote all of the text in the book except Parr’s preface. "It’s not definitive. No history is definitive.."
Volume II picks up roughly where Volume I left off, taking on American photobooks since the 1970s and European photobooks since the 1980s. It also adds chapters on photobooks from around the world, company books commissioned by corporations, artist’s photobooks, books assembled by picture editors, books by concerned photographers since World War II, the New Objective photobooks by Bernd and Hilla Becher and their Dusseldorf School followers, and a rather catch-all category Parr and Badger call "the photography of modern life."
Within the 336 pages are over 200 selections ranging from the obvious like Avedon's In The American West, to the completely obscure – such as two high school yearbooks from Texas and New Jersey.
"This is a revisionist history looking at the history of photography from the point of view of photographers," says Parr.
Presented here are ten selections, five each by Parr and Badger, highlighting some of their favorite moments from The Photobook: A History, Volume II.


Gerry Badger

Perhaps it’s not fair to ask Gerry Badger, who has written about more than 400 titles in the two volumes of The Photobook, to pick five personal favorites. But we did and Gerry Badger was happy to oblige.

American Photographs
(1938) by Walker Evans – "The book that defines not only a vision of America in the 1930s and the photobook but also a complex view of photographic modernism."

The Pond (1985) by John Gossage – "Adams, Shore, Baltz – all the New Topographic photographers made great books, but none are better than The Pond."

Alphabet of Spiritual Emptiness (1946) by Zdenek Tmej – "Extraordinarily rough, lyrical book made clandestinely during the war by a 'guest worker' of the Nazis."

For a Language to Come (1964-1973) by Takuma Nakahira – "A dark, troubling book presenting one man's view of Japan – a visionary dream or a nightmare."

La Fille du docteur (1991) by Sophie Calle – "One of the best 'conceptual' books by an artist using photography. Calle’s La Fille du docteur is both serious and funny and also a masterpiece of the bookmaking craft."


Martin Parr

Martin Parr selected five favorite photobooks, but counseled, "I write these today, but the list may be different next week."

Sashin Yo Sayonara (Bye Bye Photography, Dear)
(1972) by Daido Moriyama – "If a book can ever explode when it opens, this is it. The dynamics and boldness are unique."

Checked Baggage (2004) by Christien Meindertsma – "This book has almost more resonance now than when it was originally published. A brilliant and simple idea that hits you directly between the eyes."

Fait: Koweit 1991 (1992) by Sophie Ristelhueber – "The design and the narrative took the idea of photography books on war into unknown waters.
It was so radical when it was originally published, most people just did not get it."

Industriia sotsializma (1935) by El Lissitsky – "The design and imagery are so bold that opening and viewing this takes your breath away."

William Eggleston's Guide (1976) by William Eggleston – "This book changed the way we thought about color photography. His images get inside our heads and we struggle to understand why, but his influence is always there."