maandag 28 augustus 2017

The Collector's Vision Martin Parr's Best Photobooks Photobook Phenomenon


Photobook Phenomenon
VicenC Villatoro
ISBN 10: 8417047050 / ISBN 13: 9788417047054
Published by Rm/Ccccb/Fundacion Foto Colectania
Hardcover. Dimensions: 10.2in. x 7.5in. x 1.0in.As the photobook becomes increasingly broadly recognized as a genre with its own rich history, canon and critical culture, Photobook Phenomenon surveys the views of those who have played a leading role in defining this genre: Martin Parr, Gerry Badger, Markus Schaden and Frederic Lezmi, Horacio Fernandez, Ryuichi Kaneko, Erik Kessels, Irene de Mendoza and Moritz Neumuller. In addition, it features various contemporary artists who have contributed a genuine vision to the medium and who discuss the creative processes involved in producing a photobook: Laia Abril, Julian Baron, Alejandro Cartagena, Jana Romanova, Vivianne Sassen, Thomas Sauvin i Katja Stuke and Oliver Sieber. Photobook Phenomenon also explores the challenge of displaying a photobook through a number of interactive systems that make it possible to look through and experience the book and photography from diverse viewpoints.

La visió del col·leccionista. Els millors fotollibres segons Martin Parr 

Owen Simmons (fotògraf desconegut) The Book of Bread Maclaren and Sons, Londres, 1903 

Vladimir Maiakovski i Aleksandr Ródtxenko Pro eto. Ei i mne Gos. Izd-vo (publicacions de l’Estat), Moscou, 1923 

Albert Renger-Patzsch Die Welt ist Schön Kurt Wolff Verlag, Munic, 1928 

Germaine Krull Métal Librairie des Arts Décoratifs, París, 1928 

August Sander Antlitz der Zeit: 60 Fotos Deutscher Menschen Transmare Verlag i Kurt Wolff Verlag, Munic, 1929 

Bill Brandt The English at Home B. T. Batsford Ltd., Londres, 1936 

Comissariat de propaganda de la Generalitat de Catalunya Madrid Indústries Gràfiques Seix i Barral, Barcelona, 1937 

Robert Capa Death in the Making Covici Friede Inc., Nova York, 1938 

Heinrich Hoffmann (ed.) Winterhilfswerk-Heftchen Bild-Dokumente Heinrich Hoffmann, Munic, de 1938 a c.1942 

KZ: Bildbericht aus fünf Konzentrationslagern Oficina d’informació de guerra nord-americana), 1945 imoni col·locat ho gaudeix] Éditions du Seuil, Album Petite Planete, París, 1956 

The Great Hall of the People Editorial de belles arts del poble, Pequín, 1959 

Dirk Alvermann Algerien / L’Algérie Rütten & Loening, Berlín, 1960 

Dirk Alvermann  vitrina Parr Algerien / L’Algérie  Rütten & Loening, Berlín, 1960 (facsímil 2011) 

Kazuo Kenmochi Narcotic Photographic Document Inoue Shoten, Tòquio, 1963 

Kazuo Kitai Teikoh Mirai-sha Press, Tòquio, 1965 

Ed van der Elsken Sweet Life Harry N. Abrams Inc., Nova York, 1966 

Gian Butturini London Editrice SAF, Verona, 1969 

Enrique Bostelmann América: un viaje a través de la injusticia Siglo XXI Editores, Mèxic D. F., 1970 

Takuma Nakahira Kitarubeki kotoba no tame ni Fudo-sha, Tòquio, 1970

Hans Peter Feldmann Bilder Galerie Paul Maenz, Colònia, 1971 

Daido Moriyama Shashin yo Sayonara Shashin Hyoron-sha, Tòquio, 1972 

Barbara Brändli, Román Chalbaud i John Lange Sistema nervioso Fundación Neumann, Caracas, 1975 

Larry Sultan i Mike Mandel Evidence Clatworthy Colorvues, Greenbrae,Santa Cruz, Califòrnia, 1977 

Resistencia popular generalizada Ministério da Informação da República Popular de Angola,Luanda, 1977 

David Goldblatt In Boksburg The Gallery Press, Ciutat del Cap, 1982 

Michael Schmidt Waffenruhe Dirk Nishen Verlag, Berlín, 1987 

Chris Killip In Flagrante Martin Secker i Warburg Ltd., Londres, 1988 

Donigan Cumming The Stage Maquam Press, Mont-real, 1991 

Lars Tunbjörk Landet Utom Sig: Bilder från Sverige Journal, Estocolm, 1993 

Raymond Depardon La Ferme du Garet Éditions Carré, París, 1995 

Clement Krass Drum: Et Sted i Ireland Gyldendal, Copenhaguen, 1996 

Jacqueline Hassink The Table of Power Menno van de Koppel, Amsterdam, 1996 

Boris Mikhailov Case History Scalo Books, Zuric, Berlin i Nova York, 1999 

Rinko Kawauchi Utatane Little More, Tòquio, 2001 

Walid Raad i Akram Zaatari Mapping Sitting: On Portraiture and Photography Mind the gap i Fondation Arabe pour l’Image, Beirut, 2002 

Alice Rose George, Gilles Peress, Michael Shulan i Charles Traub (eds.) Here is New York: A Democracy of Photographs Scalo Books, Zuric, Berlín i Nova York, 2002 

Geert van Kesteren Why Mister, Why? Artimo, Amsterdam, 2004 

Jacob Aue Sobol Sabine Politikens Forlag A/S, Copenhaguen, 2004 

Stephen Gill Hackney Wick Nobody, en col·laboració amb Archive of Modern Conflict, Londres, 2005 

Nicolas Simarik i els habitants d’Empalot,Tolosa de Llenguadoc La Déroute Entrez sans frapper, Tolosa de Llenguadoc, 2006 

Leigh Ledare Pretend You’re Actually Alive PPP Editions, Nova York, 2008 

Ali Taptik i Uğur Tanyeli Istanbul’u Resmetmek: Türkiye’nin Görsellik Tarihine Giris Akin Nalça, Istanbul, 2009 

Hans Eijkelboom Portraits and Cameras 1949-2009 Autoedició, Amsterdam, 2009 

Jim Goldberg Open See Steidl, Göttingen, 2009 

Doug Rickard A New American Picture White Press / Schaden, Colònia, 2010 

Alec Soth i Lester B. Morrison Broken Manual Steidl, Göttingen, 2010 

Cristina de Middel The Afronauts Autoedició, Cadis, 2012 

Peng Yangjun i Chen Jiaojiao Box – Pass it on Shang-Xia Ltd, Xangai, 2012 

Eamonn Doyle i Autoedició, Dublín, 2014 

Thomas Sauvin Until Death Do Us Part Jiazazhi Press, Pequín, 2015 

Taula de consulta  
Julián Barón Los últimos días de Franco vistos en TVE Rústica editorial ilustrada, 1975 

Julián Barón Los primeros días del Rey vistos en TVE Rústica editorial ilustrada, 1975 


Julián Barón Los últimos días vistos del Rey Rústica editorial ilustrada, 2014 



Antlitz der Zeit by August Sander from The Klieg Light on Vimeo.



Winterhilfswerk-Heftchen 
(Winter Relief Fund Booklets)

Bild Dokumente Heinrich Hoffman, Munich, 1937-41
Der Fuehrer Macht Geschichte (The Fuehrer Makes History),
26 books x 36 pp; each book 49 mm x 37 mm (1,5# x 1,25#)


“ONE OF THE MOST POIGNANT PHOTOBOOKS EVER PUBLISHED”
KZ - Bildbericht aus fünf Konzentrationslagern.

N. p. Amerikanischen Kriegsinformationsamt im Auftrag des Oberbefehlshabers der Alliierten Streitkräfte. (1945). Contains 44 photographs, taken during the liberation of five concentration camps: Buchenwald, Belsen, Gardelegen, Nordhausen and Ohrdruf. First photo publication in postwar Germany. (28) p. In fine condition. 

The aim of publishing this brochure by the American Office of War Information and the Psychological Warfare Division was to show the German population the horror of the death camps in Germany. However because of the inefficiency of the distribution most of the pamphlets were given to prisoners of war camps. Despite the large number of the publication only a few copies remained. The photographs of the pamphlet played important role as evidences in the Nuremberg Trials. It includes the famous and controversial photo of the Nobel Laureate Elie Wiesel in Buchenwald (first published in the “New York Times” on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald” taken inside Block 56 by Private H. Miller of the Civil Affairs Branch of the U. S. Army Signal Corps on April 16, 1945.) 

[Parr-Badger I. p. 188; 194., Cornelia Brink - Ikonen der Vernichtung. Öffentlicher Gebrauch von Fotografien aus nationalsozialistischen Konzentrationslagern nach 1945. Berlin, 1998. Akademia Verlag.]










The Birth of Sweet Life Ed van der Elsken 1959 travelling from IJmuiden to Dakar Photography




Views & Reviews London Martin Parr Gian Butturini Photography



Amazônia (1978), de Claudia Andujar e George Love

Views & Reviews Why Photobooks are Important Gerry Badger Photography




the Table of Power Jacqueline Hassink Iconography of Work Mirelle Thijsen's Choice of Company Photobooks Photography





Hans Eijkelboom potraits and cameras 1949-2009 Photography



The photobook according to Martin Parr Photography


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