As Parr and Badger describe, Peterka's book provides its viewer with an "urban meditation that uses photographic fragments, glimpses of the urban streetscape, to make a wider point about our political situation in the late twentieth century...The book's title may or may not be intentionally ironic. The dark, fragmented nature of the pictures indicate that it is, suggesting an anti-Communist critique made just prior to the 'Prague Spring...Peterka details a familiar iconography of photographic melancholia--abstracted signs, mysterious doorways, peeling and crumbling walls, miserable looking people on the streets, a broken mask lying by a lamp-post. With these apparent cliches, he creates an atmosphere of gloom and uncertainty, mirroring the alienated lives of modern man."
...a photoBook is an autonomous art form, comparable with a piece of sculpture, a play or a film. The photographs lose their own photographic character as things 'in themselves' and become parts, translated into printing ink, of a dramatic event called a book... - Dutch photography critic Ralph Prins
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